What conditions inscription? Why are certain statements allowed to emerge in archival substrates? These questions are asked in this publication as it explores the concept of inscription—the archival moment that is constituted by the materialization of statements. It does so by including approaches from a variety of academic fields such as media theory philosophy and critical theory as well as works by practitioners of contemporary art. The publication includes contributions by Akram Zaatari Amalia Ulman Anne de Vries Cecilia Grönberg D-M Withers Hannah Quinlan Jenna Sutela Karl-Magnus Johansson Lori Emerson Martin Kohout Martine Syms Monira al Qadiri Rosie Hastings and Yuk Hui.
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